Wednesday, 11 September 2013

I think by now this is pretty self-explanatory...



Sup, guys?

Here's the edited (and hopefully final) version of the first two paragraphs. The third and intro and conclusion are still being workshopped. One question: does anyone remember the Greek term for middle-class citizens? If anyone still has that in their notes or something, it would be much appreciated. <3 

Explore how the differences between the socio-cultural constructs of Sparta and the other Greek poli influenced the ideals of female beauty that each upheld during the Classical period, and how those ideals are reflected in Classical Greek literature.

The ultimate paradigms of female beauty differed almost antithetically between the cultures observed by the Spartans and all other Greek poli. In spite of Greece’s general condemnation of the way in which Spartan women conducted themselves, they were famed for their beauty. Homer referred to Sparta as, “kallignyaika[1], “the land of beautiful women”[2]; it was common knowledge also that, “the face that launched a thousand ships” [3], belonged to Helen of Sparta. These endorsements clearly show the admiration other poli felt towards these women, but it is important to note that the Spartans themselves, though still reverent of beauty, were practical rather than romantic in their ideals. The Spartan perception of female beauty centred on the physical manifestation of athleticism and fitness, and not on the artificial enhancement or subjugation of women, as was the case in other parts of Greece. Furthermore, although the Spartans were fixated on physical prowess to the point of narcissism, they were not inclined to material vanity, as evidenced by the rulings of Lycurgus, which forbade women from wearing, “any kind of makeup or enhancements”[4]. Even coiffure was not a matter of beauty in Sparta; the Spartans used hairstyles to, “[distinguish] maidens from the newly married women, for the latter… wore their hair short”[5], and were not concerned with the elaborate braids and twists favoured by other women. The other Greek poli, however, had very different standards of female beauty to Sparta. In spite of the open admiration with which the rest of Greece, particularly the men, observed the Spartan women, other poli’s distaste for women participating in politics, sport, or any other activity in which they opposed men or demonstrated their capacity for free thought, caused them to prefer women who showed little evidence of physical exertion and much evidence of oppressive chauvinism and, “ingrained misogyny”[6]. Women were expected to wear a long, sleeveless article called the chiton that fell to the ankles and concealed the legs, in contrast with the Spartans, who wore short, practical skirts that earned them the derogatory appellation, “thigh flashers”[7]. Pale, delicate skin was also a particular mark of beauty in a female, and women frequently used cosmetics, including, “white lead (which was toxic)…[and] chalk”[8], to, “lighten their complexion”[9]. Other facial beautifications went in and out of mode throughout the period; “connected eyebrows”[10], achieved by judicious use of, “dark powder”[11], were considered highly fashionable at one stage. Powders were also used for various other things, including the darkening of the eyelids and the rouging of the cheeks. It was customary for female citizens to wear their hair long, as, “only slave women would wear their hair short” [12]. The majority of Greek women also wore jewellery in the forms of, “earrings, bracelets and necklaces”[13].  Aristoi women commonly wore elaborate pieces of jewellery, and [FIND THE WORD FOR MIDDLE CLASS] women wore simpler jewellery; however, a raped woman would, “no longer be allowed to wear jewellery”[14]. It is evident, then, that there are substantial differences between the epitomes of beauty that were upheld by the Spartans and all the other Greek poli.

The conflicting archetypes of beauty observed by Sparta and the other Greek poli were undoubtedly the resuld of their different socio-cultural structures. The female athleticism that was uniquely encouraged in Sparta was undoubtedly due to its, “totalitarian”[15], militaristic society. As the life of every male citizen was devoted to military action, Spartans being, “liable for military service to the age of 60”[16], strength in men was valued to the point where the state, “took upon itself the right to determine a new baby’s viability”[17]. It was common practice to commit infanticide by abandoning male infants in, “a place near Mount Taygetus designated for that purpose”[18], if they were deemed to be too weak to make a good soldier. The Spartans believed that only a strong mother could bear a strong son, and so women in Sparta were required to be fit and athletic. This dictate was enforced upon women in a similar (if less murderous and more reasonable) manner to that imposed on males. At the age of eighteen, girls were required to undergo a compulsory test of fitness and skills, and if they passed, they were, “assigned a husband and allowed to return home”[19]; if they failed, however, they would, “lose [their] rights as a citizen”[20], and become members of the perioikos. In this interest, all female Spartan citizens received a public education that was, “prescribed by the state… at state expense”[21], wherein they were required to, “run and wrestle and throw the discus and javelin”[22], in addition to their academic endeavours. In further consideration of the Spartan ideology, Spartan women were well-nourished, unlike the women of other poli, who were, “regularly given less food than men”[23]. The simplicity of the Spartans’ hairstyles is another result of the Spartan military system, specifically of their practice of mentorship through compulsory pederasty. At the age of nine, boys were assigned a mentor: an older man to whom the entirety of their education, outside of what the public system provided, was entrusted; this included their sexual education, due to the Spartan belief that, “erotic relationships between members of the same sex were...educational”[24]. Because of this mentorship system, Spartan men were universally unused to female lovers by the time they were expected to marry. To solve this problem, a Spartan girl would be made as boyish as possible in preparation for her marriage; her hair would be cut short and she would be dressed in a boy’s tunic for the wedding night. Because of this, short hair denoted a married woman and long hair an unmarried one. In other Greek poli, the standards of female beauty were based on an almost entirely different set of societal conventions and restrictions, the only point of commonality between them being the women’s fundamental reproductive function. Despite this, other poli did not share Sparta’s belief in the importance of female strength and fitness, and, by contrast, valued the hallmarks of privilege and inactivity. Pale skin was considered beautiful because it alluded to wealth; except for the purposes of attending weddings, funerals, and certain religious festivals, or briefly visiting female neighbours, aristoi women rarely ventured out in public, whereas [THE WORD FOR LOWER CLASS] and helot women were obligated to work outdoors and visit the agora, often in the stead of the aristoi women. The aristoi women were, “virtually imprisoned in their homes”[25], within the gynaikonitis, a specific set of rooms reserved for the, “wives, daughters, and female slaves”[26], of an oikos. This rigid seclusion of aristoi women from all men was due to the patriarchal societal constructs of Classical Greece, and the resultant imperativeness of producing undeniably, “legitimate heirs”[27]. Similarly, fragility and slenderness of form was encouraged as it indicated that a woman was not required to perform manual labour, which was thought to be the activity of helots. As in Sparta, certain hairstyles signified the marital status of the wearer; unmarried women wore their hair loose, while married women conventionally wore elaborate braids and hairpieces. The, “imposition of headgear…and other trappings”[28], was considered a necessity in order to bind and regulate women, who were thought to be, “pollutable, polluted, and polluting in several ways at once”[29], owing to their being, “as individuals”[30], “formless”[31], and, “without firm control of personal boundaries”[32]. Ergo, it is apparent that the divergence of the paradigms of female beauty adhered to by Sparta and the other Greek poli was the consequence of their distinct socio-cultural differences.



[1] ‘The Spartans. The battle for supremacy’, in History Heads, http://moodle.shcs.nsw.edu.au/pluginfile.php/2251/mod_resource/content/0/Sparta/documentary/spartans_episode_2.pdf, (Accessed 7 August 2013).
[2] ibid.
[3] Christopher Marlowe > Quotes > Quotable Quote, http://www.goodreads.com/quotes/55215-was-this-the-face-that-launched-a-thousand-ships-and-burnt, (Accessed 8 August 2013).
[4] The Women of Sparta: Athletic, Educated, and Outspoken Radicals, http://www.ancient.eu.com/article/123/, (Accessed 6 August 2013).
[5] S. B. Pomeroy, S. M. Burstein, W. Donlan and J. T. Roberts, Ancient Greece. A Political, Social, and Cultural History, Oxford University Press, New York, 1999, P. 142.
[6] D. D. Gilmore, Misogyny, http://www.encyclopedia.com/topic/Misogyny.aspx, (Accessed 10 September 2013).
[7] P. S. Baker, The Role of Women in Ancient Sparta, http://www.helium.com/items/1843769-a-look-at-the-women-of-ancient-sparta, (Accessed 10 September 2013).
[8] Fashion in Ancient Greece, http://historylink101.com/2/greece3/fashion.htm, (Accessed 8 August 2013).
[9] ibid.
[10] ibid.
[11] ibid.
[12] ibid.
[13] ibid.
[14] H. Wojtczak, British Women’s Emancipation since the Renaissance. The History of Female Oppression,  http://www.historyofwomen.org/oppression.html, (Accessed 10 September 2013).
[15] S. B. Pomeroy, op. cit., P. 138.
[16] S. B. Pomeroy, ibid., P. 139.
[17] ibid.
[18] ibid.
[19] Culture, http://www.crystalinks.com/greekculture.html, (Accessed 9 September 2013).
[20] ibid.
[21] S. B. Pomeroy, op. cit., P. 141.
[22] ibid., P. 142.
[23] ibid., P. 141.
[24] ibid. [FIND PAGE NUMBER]
[25] W. J. O’Neal, The Status of Women in Ancient Athens, http://www.ancient.eu.com/article/447/. (Accessed 10 September 2013).
[26] M. K. Mason, Ancient Athenian Women of the Classical Period, http://www.moyak.com/papers/athenian-women.html, (Accessed 10 September 2013).
[27] J. C. Meyer, Women in Classical Athens. In the Shadow of North-West Europe or in the Light from Istanbul, http://www.hist.uib.no/antikk/antres/Womens%20life.htm, (Accessed 10 September 2013).
[28] A. Carson, ‘Putting Her in Her Place: Women, Dirt, and Desire’, in Before Sexuality: The Construction of Erotic Experience in the Ancient Greek World, Princeton University Press, Princeton, 1990, P. 156.
[29] ibid. P. 158—9.
[30] ibid. P. 159.
[31] ibid.
[32] ibid.

Sunday, 8 September 2013

Look! Look! I wrote a thing!

Ladies and gents, I present...

My first and second paragraphs!

(Yeah okay the first one was already written but I edited it so I'm posting it again.)

Ta da! :D

[EDIT: I ADDED A SENTENCE IN THE SECOND PARAGRAPH.]


Paragraph One: Describe the ideal of female beauty in Greece and Sparta. (500 words allotted - 426 words used).

Between the near antithetical cultures observed by the Spartans and all other Greek poli, the ultimate paradigms of female beauty differed greatly. In spite of the general condemnation of the way in which Spartan women conducted themselves, they were famed for their beauty. Homer referred to Sparta as, “kallignyaika”, “the land of beautiful women”; it was common knowledge also that, “the face that launched a thousand ships”, belonged to Helen of Troy, or, more accurately, Helen of Sparta. These endorsements clearly show the admiration of the other poli, but it is important to note that the Spartans themselves, though still reverent of beauty, were practical rather than romantic in their ideals. The Spartan perception of female beauty centred on the physical manifestation of athleticism and fitness, and not on the artificial enhancement or subjugation of women, as seen in other parts of Greece; and although the Spartans were fixated on physical prowess to the point of narcissism, they were not inclined to material vanity, as evidenced by the rulings of Lycurgus, which forbade the use of cosmetics. Even coiffure was not a matter of beauty in Sparta; women wore their hair either long or short and were unconcerned with the elaborate braids and twists that were favoured by other women. The other Greek poli, however, had very different standards of female beauty to Sparta; in spite of the open admiration with which the rest of Greece observed the Spartan women, when they were not participating in politics, sport, or any other activity in which they opposed men or demonstrated their capacity for free thought that is, the other poli preferred women who showed little evidence of physical exertion and much evidence of oppressive misogyny. Women were expected to wear a long, sleeveless article called the chiton that fell to the ankles and concealed the legs, in contrast with the Spartans, who wore short, practical skirts. Pale, delicate skin was also a particular mark of beauty in a female, and women frequently used cosmetics, including white lead, which was very toxic, and chalk, to lighten their skin. Other facial beautifications went in and out of mode throughout the period; connected eyebrows were considered highly fashionable at one stage and powders were used for various things, including the darkening of the eyelid and the rouging of the cheeks. Greek women generally wore jewellery as well, though the Spartans wore little if any. It is evident, then, that there are substantial differences between the epitomes of beauty that were upheld by the Spartans and all the other Greek poli.

Paragraph Two: Explore the social reasons behind those ideals. (500 words allotted - 583 used).

The conflicting archetypes of beauty, as observed by Sparta and the other Greek poli, were undoubtedly the result of differing socio-cultural structures. The athleticism of women that was uniquely encouraged in Sparta was due to its totalitarian militaristic society; as the life of every male citizen was wholly devoted to military action, the Spartans valued strength in men to the point where it was common practice to commit infanticide if a male infant was deemed to be too weak to make a good soldier. The Spartans believed that only a strong mother could bear a strong son, and so women in Sparta were required to be fit and athletic. This dictate was enforced in a similar, if less murderous and more reasonable, manner to that imposed on males; at the age of eighteen, girls were required to undergo a compulsory test of fitness and skills, and if they passed, they would be found husbands and allowed to return home, but if they failed, they would, “lose [their] rights as a citizen”, and become perioikos. Therefore, Spartan girls all received a public education wherein they were required to actively participate in sports such as wrestling (which they famously engaged in whilst naked) running, discus, and javelin, in addition to their cerebral endeavours. and javelin, in addition to their cerebral endeavours. Spartan women were well-nourished, unlike the women of other poli, who were, “regularly given less food than men”. The simplicity of the Spartans’ hairstyles is another result of the Spartan military system, specifically their practice of mentorship through compulsory pederasty. At the age of nine, boys were given a mentor, generally a man in his thirties or thereabouts, to whom the entirety of their education, outside of what the public system provided, was entrusted; this included their sexual education. By the time Spartan men were married, they were unused to female lovers. To solve this problem, a Spartan girl would be made as boyish as possible in preparation for her marriage; her hair would be cut short and she would be dressed in boys’ tunic for the wedding night. Because of this, short hair denoted a married woman and long hair an unmarried one. In other Greek poli, the standards of female beauty were based on an almost entirely different set of societal conventions and restrictions, the only point of commonality between them being the women’s fundamental reproductive function. Despite this, other poli did not share Sparta’s belief in the importance of female strength and fitness, and, thus, valued the hallmarks of privilege and inactivity. Pale skin was considered beautiful because it alluded to wealth; aristoi women rarely ventured out in public, except for the purposes of observing religious festivals and the like, and were, therefore, fairer than their working compatriots. Likewise, fragility and slenderness of form was encouraged as it indicated that a woman was not required to perform manual labour, which was the activity of slaves or helots. As in Sparta, certain hairstyles signified the marital status of the wearer; unmarried women wore their hair loose, but married women conventionally wore elaborate braids and hairpieces. The, “imposition of headgear…and other trappings”, was considered a necessity in order to bind and regulate women, who were thought to be, “pollutable, polluted, and polluting in several ways at once”, owing to their being, “as individuals”, “formless”, and, “without firm control of personal boundaries”. Ergo, it is apparent that the divergence of the paradigms of female beauty adhered to by Sparta and the other Greek poli was the consequence of their distinct socio-cultural differences.

Footnotes shall be added tomorrow.

Thursday, 8 August 2013

Look! Look! I can plan. Sort of. (Also a paragraph)



Did some work today in class and normally I'd say more but it's quite late so without further ado:

Mah plan:

  • Introduction (250 words) 
  • Paragraph One: Describe the ideal of female beauty in Greece and Sparta (500 words) (Describe what is there) 
  • Paragraph Two: Explore the social reasons behind those ideals (500 words) (Explain why it’s there) 
  • Paragraph Three: Demonstrate the cultural manifestations of those ideals (500 words) (Show where it appears)
  • Conclusion (250 words)

And now, the first paragraph.


Between the near antithetical cultures observed by the Spartans and all other Greek poli, the ultimate paradigms of female beauty differed greatly. In spite of the general condemnation of the way in which Spartan women conducted themselves, they were famed for their beauty. Homer referred to Sparta as, “kallignyaika”, “the land of beautiful women”; it is common knowledge also that, “the face that launched a thousand ships”, belonged to of Helen of Troy, or, more accurately, Helen of Sparta. These endorsements clearly show the admiration of the other poli, but it is important to note that the Spartans themselves, though still reverent of beauty, were practical rather than romantic in their ideals. The Spartan perception of female beauty centred on the physical manifestation of athleticism and fitness, and not on the artificial enhancement or subjugation of women, as seen in other parts of Greece; and although the Spartans were fixated on physical prowess to the point of narcissism, they were not inclined to material vanity, as evidenced by the rulings of Lycurgus, which forbade the use of cosmetics. Even coiffure was not a matter of beauty in Sparta, as long and short hairstyles were used solely to differentiate between unmarried and married women, respectively. The other Greek poli, however, had very different standards of female beauty to Sparta; in spite of the open admiration with which the rest of Greece observed the Spartan women, when they were not participating in politics, sport, or any other activity in which they opposed men or demonstrated their capacity for free thought that is, the other poli preferred women who showed little evidence of physical exertion and much evidence of oppressive misogyny. Women were expected to wear long, sleeveless robes that fell to their ankles and concealed their legs, and adorn themselves with jewellery of various forms. Pale, delicate skin was also a particular mark of beauty in a female, and women frequently used cosmetics, including white lead, which was very toxic, and chalk, to lighten their skin. Other facial beautifications went in and out of mode throughout the period; connected eyebrows were considered highly fashionable at one stage and powders were used to for various things, including the darkening of the eyelid and the rouging of the cheeks. It is evident, then, that there are substantial differences between the epitomes of beauty that were upheld by the Spartans and all the other Greek poli.


Huzzah.

Wednesday, 7 August 2013

Naked Spartans and Lesbian Poetry: A Journey of Discovery in the Careers Room

Minds out of the gutter, if you please.

Thank you.

Now that we're all feeling a little bit more uncomfortable studious, I'd like to have a brief discussion of the subjects mentioned in the title, starting, in the traditional Homeric style, with the latter.

Sappho, the most famous classical lesbian poet in all of Greece (shut up; it's a valid niche genre, alright?), is, unsurprisingly, famous for her classical lesbian poetry. Originally, my intention was to use her poetry as evidence in depicting the ideal of female beauty everywhere outside of Sparta, but upon reading her work, I discovered that this would be... problematic, to say the least. Sappho, you see, writes primarily of the heart. The body is of secondary importance. As it should be. So while it is evident that her romantic poetry is addressed to lovely women, Sappho focuses on her passions, emotions and desires, as opposed to providing detailed descriptions of the women's physical appearances. The tone of her writing and brief references to the women's bodies assure the reader that the subject is beautiful, but there is actually very little specific description.

Soooooo, what I'm thinking of doing is using the relevant fragments of Sappho's poetry in addition to extracts from Homer's The Odyssey to provide a more complete picture of idealized female beauty. Nausicaa will probably make an appearance, as well as Penelope. And what study of beauty would be complete without a mention of Helen of Troy, the face that launched one thousand ships?

Moving on to the subject of naked Spartans, all research is going well. Full steam ahead; all systems are go; pull the lever, Kronk! Etc, etc. You get the idea. I've got lots of information on what was valued in women, physically speaking, and the cultural reasons why. Now what I really need is a plan but...

http://weknowgifs.com/wp-content/uploads/2013/02/do-i-look-like-a-guy-with-a-plan-gif.gif

Ever? No seriously when have you seen me write an essay plan? (The correct answer is 'never', by the way.) However, as it's the Special Study and that's kind of important (read: to stop Emily from having a panic attack tomorrow morning when she realises I haven't written anything) I've started fiddling with a plan. I shall post it tomorrow morning at some point and then start work on the draft. But first I'll have to go borrow The Odyssey. Again. Eugh, I thought I was rid of that thing forever. I even made a little speech before I flung it down the return chute with more than the necessary vigor. I should have known... *shakes fist dramatically* Anyway, ta ta for now. :P

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Sunday, 30 June 2013

More changes! And also an essay plan...

Dearly beloved,

In the wake of the tragic death of Percy the USB, my essay plan has been lost to the depths of Hades. Or somewhere similar. However, as I'm changing my topic anyway, I'm not overly fussed.

The thing is, I've run into a few minor, gigantic brick walls in finding enough material to support my argument, so I had a chat with Mr Stewart and discussed some possible alternatives. After some debate, he suggested that I compare the Spartan ideal of female beauty with the concept of female beauty that was idolized by the rest of Greece during the Classical period, using the writings of Sappho as evidence of the latter. I was like:

http://24.media.tumblr.com/65691b7fb218e30ea05494b04d607982/tumblr_moqtl6D0xq1s5mnvmo1_500.gif

And off I went to see what could be salvaged from my last bout of frantic researching. That is what I am doing now, but I believe I owe you an essay plan, no? Here 'tis.

Paragraph 1: Concept of female beauty in Sparta

Paragraph 2: Concept of female beauty in other parts of Greece

Paragraph 3: Comparisons!! :D We love comparisons. Really.

More later,

Cheerio!

Tuesday, 28 May 2013

Houston, We Have a Problem

Right. Well. I've encountered a problem with my proposed topic of Lysistrata: evidence. Most of that question is based on theorizing, and it would be hard to prove anything. Sooooooo, I'm changing my topic.

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Instead of looking at Greek comedy, I'm thinking of looking at how the modern ideal of beauty in fashion is a result of the cultural homosexuality in Sparta. More later!

-Lani

Sunday, 21 April 2013

Musings...

So. Individual Study. Work. Right. Awesome. Whose excited?

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... ... ...

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No, I'm joking; I am legitimately quite excited. I even have ideas. See? I'm thinking Lysistrata, which is a fantastic Greek comedy, if anyone's wondering. Saw it in Year 8 and thought it was brilliant. I may or may not occasionally still quote it...








http://25.media.tumblr.com/tumblr_mbla8y0eCA1r9e53ao1_400.gif

Anyway, I'm considering having a look at the premise of the story as it relates to the social and historical context of the play. Basically the idea is that the women get fed up (and rightly so) with the fact that the Peloponnesian War has been going on for twenty-six years and is showing no signs of stopping, and go on a nation-wide sex strike. They pretty much just barricade themselves in the Acropolis until the men all decide that sex is more important than killing each other (incredible revelation, I know, really groundbreaking stuff) and ta da! World peace. Amazing, isn't it? We should definitely give that one a shot.

...Yeah, nope. Simple fact is, it would never work. I'm thinking of having a look at why that is. Prostitution seems like an obvious flaw in that master plan, but it's not the only one. So yeah, that's what I have so far. I'll post again when I've done some more background reading; not sure just yet if its a feasible topic to devote an entire study to...

Ciao!